The Means of Production Garden in Vancouver and Artist Sharon Kallis

January 15, 2013


The Means of Production Garden grows art materials for a collective of artists in Vancouver. It is a habitat – art as a growing environment that engages the senses within its collective life force.

The garden “engages the community in creating art and dialogue through a living and productive landscape. MOPARRC explores the use of natural materials to make art; harvesting crops, with a focus on interactive sculptures and instruments and gardening as an inclusive performative process. These activities create seasonal awareness, and forge intergenerational connections. The Means of Production Garden is an active studio, lab, social setting; with artists and public co-producing site specific artworks and events” (Sharon Kallis).

The garden is a public art installation, a site for gatherings, music, artists in residence and a place to learn about living art materials. Located within the grounds of a Vancouver park, the garden will be ten years old this year. The garden works in alliance with the Vancouver Parks Board, The Environmental Youth Alliance, The Community Arts Council of Vancouver, and Vancouver Arts and Culture.

The Means of Production Garden originally developed from the ideas of Oliver Kelhanmer, a Canadian land artist, writer and activist. He devised the garden as a biological intervention, which integrates art into the environmental consciousness of the local community. The garden is a living art form a social sculpting of the community landscape with socially engaging aesthetics.


Sharon Kallis, an artist from the Means of Production collective, harvests materials for her work as ‘an urban weaver’. Often using invasive species of plants (i.e. ivy and blackberry), Sharon creates coiled baskets, weavings, and circular compositions with community members of all ages. Sharon “works seasonally with what the landscape produces and creates site-responsive installations, which integrate the growing art materials of the local landscape.” Sharon (pictured below) was a guide to how the garden can be a resource, not only for artists, but for anyone interested taking refuge within its ecological aesthetics.


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